
Restoration in action
The dream house that Griff Rhys Jones built
Sometimes a property need far more than a visit from an Interior Decorator. Buying a crumbling but beautiful wreck of a home infused with character, as well as holes in the roof, and restoring it to its former glory is a dream that captures the imaginations of many. It is a passion Griff Rhys Jones, lives, sleeps and breathes by.
“I have always bought wrecks of one kind or another ever since I started buying houses,” Griff says. “I am more drawn to an unfinished place with cracks in the floor than somewhere with somebody else’s stamp on it.”
Griff is well experienced in restoring crumbling old buildings. He has worked on three major personal projects – a factory in Clerkenwell which he converted into lateral flats in the Eighties before this became fashionable; the restoration of a period Suffolk farmhouse and his Robert Adam house in London – and taking part in the celebrated BBC series on restoration.
He is obsessed with yet another restoration programme, The Return to Pembrokeshire Farm, in which he documents his painstaking preservation of two period buildings, a 200-year-old watermill and miller’s cottage on his 70-acre farm in the heart of Welsh farming country.
His son, George, who is close to completing his architecture degree will help oversee the project using a number of historic renovation specialists for this Pembrokeshire job.
“We thought very hard about what to do with the farm buildings, because they were being left to decay,” Griff says, “and we decided that you can’t just renovate them and leave them without any use. It is not supposed to be a museum. It is better to end up with a liveable property that people can stay in, like properties the Landmark Trust own.”
The issue of how far a historic building can be pushed to make it into usable structure comes up repeatedly in the programme. “It is the question that hangs over all forms of restoration,” Griff says.
“This is not a profit making exercise,” says Griff. “You do it because you like the buildings and want to preserve them as part of the landscape. It’s brilliant, because they have managed to salvage things here and bring them back, not like new, but in a sufficiently well-preserved state that it feels, well, perfect.”